Behind Nouktah's geometrical pieces, which look like brutalist architecture, the material expresses itself and draws lines of a radical expressiveness.

Nouktah, in the irreversible grip of a machination against time, recovers components destined for the scrap heap in order to innovate and re-enchant the world. In search of a responsible hedonism, his creations combine the fluidity of gesture with an ergonomic and sculptural design. These practices of detour and reappropriation earned him the Prix du Public at the Hyères Festival in 2020 in Fashion Accessories.